Corporate Video Production Company

Employer branding, internal comms, leadership films and company profiles — corporate video built so your organisation reads as clear and credible, wherever the audience sits.

One production team carries the whole run — scripting, casting, the shoot, motion graphics, the edit, then a versioned cut for each channel — working from studios in Vancouver, Melbourne, Jakarta and Singapore.

See Works
Corporate Video showreel
  • 10 years
  • 4 studios
  • 300+ animations delivered

Trusted by

Selected Corporate Video Work

What Corporate Video Does That a Deck Can’t

Every retelling of a strategy loses something. A regional director paraphrases it, a recruiter compresses it, a partner manager keeps the half that suits the deal — and within a quarter nobody outside the leadership team describes the organisation the same way twice. Film settles the telling. One edit, played at a townhall, embedded on a landing page or dropped into a partner thread, gives the same account of what the business does and who runs it, in every market it reaches. Alibaba Cloud, Warner Media, Hilton and Mastercard have all commissioned that film from us, for viewers ranging from the board table to frontline shift teams.

Most corporate subject matter resists a camera. Supply chains, governance structures, five-year plans — point a lens at any of them and you get an executive describing something the viewer never sees. Animation closes that gap. The interview holds the human voice; animated diagrams, charts and build-ups carry whatever has no physical form, and dense material stays watchable. The filming is ours; Thunk, our animation partner, builds the animated layer. So the same team scopes the job, runs the shoot and signs off the master.

  • Live-action and motion handled by a single team rather than three separate suppliers
  • Made for corporate audiences in any market — boards, staff, candidates, partners
  • Produced for Alibaba Cloud, Warner Media, Hilton and Mastercard
Storyboard/Concept Production Post-production
Storyboard/Concept

What We Offer in Corporate Video

Five formats we’re asked for most often. Each one gets scoped backwards from the audience it has to shift.

How we work

A predictable five-step process. No surprises, no scope creep.

  1. 1

    Discover

    Brief, audience, message, success metrics

  2. 2

    Concept

    Script, style frames, storyboard

  3. 3

    Produce

    Illustration, animation, sound design

  4. 4

    Refine

    Two structured rounds of revision

  5. 5

    Deliver

    Final files, cutdowns, captions

FAQ

Questions we often get

It begins with a brief on who’s watching and what they need to take away, followed by script and storyboard. With that signed off we move to casting, locations and the shoot, then edit, motion graphics and sound. Three review points — storyboard, first cut, final — keep the surprises out of the last week, and you receive the master plus every channel version on your list.


Reckon on four to eight weeks end to end: script and pre-production first, then the shoot, then edit, motion graphics and the review rounds. A tightly briefed internal-comms piece lands sooner; anything filmed in several places or leaning hard on animation runs longer. Give us the townhall, launch or reporting date and the schedule gets built backwards from it.


The graded master lands first. Everything else is cut from it to suit where it plays — wide framing for web players and townhall screens, tighter crops for feeds and internal channels, plus short teasers, burned-in or sidecar subtitles, and alternate language tracks when a market needs one. Tell us the destinations at briefing stage and the deliverable list is specced against them rather than guessed at.


We film it; our animation partner Thunk builds the animated layer, and scoping through to finishing still runs through one team. Most corporate work here uses both — data, workflows and strategy usually need drawn sequences, while the people telling the story need a camera.


Yes. Logo usage, colour, type, tone of voice and any compliance wording are worked to your guidelines, and the motion-graphics layer is built on your own system rather than dropped in from a template. In regulated sectors we map the approval chain before the edit starts, so required disclaimers and legal wording are already in place when the cut reaches sign-off.


Length, shoot days, cast size, number of locations and how much animation sits in the edit are what move the number — a one-room leadership interview and a multi-location profile carrying custom motion graphics are different projects entirely. Send us the audience, the channels and your target date, and you’ll get a scoped fixed quote rather than an open-ended day rate.


TESTIMONIALS

Measurable Impact.
Real Feedback.

SuperPixel can be trusted to deliver creative animation work. Their experienced team is easy to work with, always available to guide us, and clear in managing project timelines and expectations. It has been a breeze working with them.

The event went smoothly, and it was a successful New Year's Eve celebration for us. Thank you, SuperPixel, for all the work and support you put into making it happen.

The work SuperPixel has provided us has been nothing short of great. Their revisions were spot on, and the final result matched what we had in mind. It has been a pleasure working with the team.

Really enjoyed working with SuperPixel, they are able to fully understand the creative needs of different projects given and deliver the animations accordingly. At the same time, the team is also very accommodating, clear and quick with their works.

The visuals were heartwarming and beautifully captured the story we wanted to share. It was a fantastic collaboration! The team's creativity and dedication brought our idea to adorable character, amplifying our message in a powerful way.

The animations enhanced our campaign! Delivering a polished and impactful message. The team's creativity and adaptability brought our vision to life effortlessly.

Want a corporate video people watch to the end?
Send us the brief.

Give us the audience, the message and the date it has to be live. What comes back is a recommended format, a treatment for it and a scoped price — produced end to end by one team.