Mounth Elizabeth Hospital
Brand Story Video
Five production lines under one roof — animation, motion,
film and immersive work for brands in every market.
Whatever the brief calls for — a 3D product film, a character-led explainer, a live projection show, or a campaign shot on location — it is built end to end by one studio. Choose the service line below, or send the brief and we’ll advise on the medium.
Trusted by
Mastercard, TikTok, Hilton and Changi Airport Group have all briefed us, and the pattern rarely changes: a message that is difficult to explain, an audience with no patience, and a date that cannot move. Work since 2015 has been spent solving exactly that.
Splitting a project across a scriptwriter here, an animation vendor there and an edit house somewhere else is where quality leaks. Every stage — script, design, animation, shoot, post — sits with our own teams, so nothing is handed to a stranger mid-production.
Each line has its own dedicated page and team.
Not sure which one fits? Describe the outcome and we’ll map the medium to it.
Line, shape and type doing the explaining — onboarding pieces, data-led infographics, social cutdowns, and characters with a bit of personality.
Best For:
Explainer Video / Data & Infographics / Social Content / Character Work
When the subject has to be seen from every side: internal mechanisms, medical and technical sequences, unbuilt spaces, and CG characters.
Best For:
Product Reveals / Medical & Technical / Architectural Visualisation / CG Characters
Crews, cameras and real people — founder stories, customer testimonials, event films, and campaign spots cut for every placement.
Best For:
Brand Film / Testimonials / Event Coverage / Campaign Spots
Work that only exists in a room: facade projection, stage content, interactive installations, and VR or AR builds for launches and exhibitions.
Best For:
Building Projection / Stage & Show Content / Interactive Builds / AR & VR
Generative tools folded into a supervised pipeline — more directions explored in the same window, with human direction on the final frame.
Best For:
Concept Boards / Fast Iteration / Hybrid Workflows
A predictable five-step process. No surprises, no scope creep.
Brief, audience, message, success metrics
Script, style frames, storyboard
Illustration, animation, sound design
Two structured rounds of revision
Final files, cutdowns, captions
FAQ
There is no flat rate, because a short motion graphic and a character-led film share almost nothing in production terms. Length, visual style, the number of scenes, whether characters are involved, the deliverable list and how tight the deadline is all move the figure. Send the brief and we’ll come back with a scoped range rather than a guess.
Ask what the viewer needs to understand. Concepts, processes and stories usually land faster in 2D, which also moves quicker through production. Anything physical — a device, a material, a building, a body — benefits from 3D, where depth and light carry the detail. Plenty of projects use both, and we’ll say which mix serves the story before you commit.
Live-action video production and campaign films; projection mapping, interactive and immersive builds; 3D animation; 2D animation and motion graphics; explainer and corporate work; and AI-assisted production. A dedicated team runs each of those lines, and each is covered in more detail elsewhere on the site.
A short motion-graphics piece can move in a matter of weeks. Character animation, film shoots and immersive installations need longer, mostly because of scripting, design approvals and site or location logistics. We work the schedule backwards from your launch date and flag any point where it gets tight.
Superpixel has run since 2015 with offices in Melbourne, Vancouver, Singapore and Jakarta, and works remotely with clients in every market.
Start with where the work has to run. We settle the placement list early — site, paid social, event screens, broadcast, internal decks — and each file is built for its destination rather than squeezed into shape afterwards. In practice that means looping and silent versions for screens and feeds, vertical and subtitled edits where a platform expects them, shorter cutdowns for paid placements, and a full-length master sitting behind all of it.
TESTIMONIALS
Send the brief, the deadline and whatever reference you have. We’ll come back with the medium we’d recommend, a production plan and a scoped range.